CVAC, Cowichan Valley Arts Council
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Artist Profiles

Daniel Deschamps
July 2010
Betty Locke
~ by Rebecca Hazell
September 2009

Kaye Smillie
~ by Bernice Ramsdin-Firth
August 2009

Beverly Koski
~ by Gloria Lorenzen
July 2009

Naomi McLean
~ by Liz M. Forbes
June 2009

Eugene Jobagy
~ by Karen Allen
May 2009

Alison MacKenzie & Wayne Brown
~ by Bruce Whittington
April 2009

Glenn Spicer
~ by Kate Sutherland
March 2009

Barry Strasbourg-Thompson
~ by Tom Masters
February 2009

Jan Donaldson
~ by Gloria Lorenzen
December 2008

Misha Koslovsky
~ by Roxanne Strasbourg
November 2008

Peter Lawson
~ by Rebecca Hazell
October 2008

Harriet Hiemstra
~ by Kate Sutherland
September 2008

Sylvia Verity
~ by Sylvia Holt
August 2008

Cathi Jefferson
~ by Gloria Lorenzen
July 2008

Corry & Shakey Reay Suter
~ by Liz M. Forbes
June 2008

Rene Deerheart
~ by Gloria Lorenzen
May 2008

Neil Newton
~ by Bruce Whittington
April 2008

Doreen Tawse-Smith
~ by Rebecca Hazell
March 2008

Doug Dunbar
~ by Tom Masters
February 2008

Thomas Anderson
~ by Ron Greenaway
January 2008

Margitta Ben Oliel
~ by Liz Forbes
December 2007

Irma Livingstone
~ by Elizabeth Symon
November 2007

Linda Richter
~ by Longevity John Falkner
October 2007

Melanie Circle
~ by Yvette Stack
September 2007

Colleen Freeman
~ by Kate Sutherland
June 2007

Eva Trinczek
~ by Bruce Whittington
May 2007

Clare Singleton
~ by Lesley Hammocks
April 2007

Jane Wolters
~ by Tom Masters
March 2007

Bev Mountain
~ by Theo Gustafson
February 2007

Arne Day Bunyan
~ by Bernice Ramsdin-Firth
December 2006

Ellie Hallman
~ by Theo Gustafson
November 2006

Desmond Pratt
~ by Dorothy Jeanne Engst
October 2006

Sonia and Angus Galbraith
~ by Bev Mountain
September 2006

Rosemary Darville
~ by Liz M. Forbes
August 2006

Susan Kelly
~ by Lesley Hammocks
July 2006

Josie Bennett Cowan
~ by Dorothy Jeanne Engst
June 2006

Jean Christie Williams
~ by Lesley Hammocks
May 2006

 

Peter Lawson

 Profile of an Artist
Profile of an Artist

~ By Rebecca Hazell

Artwork by Peter Lawson If you attended last year's Verse and Vision exhibit, you'll have already seen Peter Lawson's work. His magical "Field of Dreams" - Trumpeter Swans piece won for Best Art Depicting a Poem. He settled with his wife by Shawnigan Lake five years ago to devote himself to his art career, where the natural environment around them is his inspiration and the isolation allows him to work without distraction.

Peter Lawson Born in Vernon, in the Okanagan, Peter grew up here on the island, mostly in Victoria, though he attended the Kootenay School of Art from 1969-72. His original aim was what was then called commercial art, but the school “was an eye-opener,” and he was soon studying everything from printmaking to drawing and painting.

After graduation, having married and with a growing family, he moved back to Victoria to work as a graphic artist, either through his own company or for other companies, both local and national. Over the next ten to fifteen years, as his abilities were recognized, he was promoted to creative director, then accounts manager and supervisor, which required working more with clients and other creative teams than with personally making art. Though he loved his work, one day he woke up to his suit-and-tie reality and wondered where his career was taking him. It took ten more years of pursuing art on the side before he was able to make the transition into fine arts.

Meanwhile, divorced and remarried, he and his second wife traveled to Europe several times, visiting the great galleries there. Peter was especially struck by the emotional power of Van Gogh's paintings: this was where he wanted to take his work! Another strong influence was Gustave Caillebotte, who was able to "tweak reality" in his paintings while drawing the viewer into them. Back in Canada, the mystical qualities of Lawren Harris' work called to him. And his instructors in Art College had already noted that his style had an affinity with E. J. Hughes.

But it was on a trip to Australia at the turn of the century when Peter and his wife decided what they wanted to do for the rest of their lives. The result: the move to Shawnigan Lake. This area is where E. J. Hughes once lived, and through a happy coincidence, the Lawsons struck up a friendship with the elderly artist, taking him for tours to his old haunts around the lake. Peter says that Mr. Hughes always wore a white shirt and tie, not only on these visits, but also to paint!

When Peter discusses his work, he points out that it is more about texture than detail. Using oil, acrylic, pen and ink or graphite, he builds up a complex, rhythmic whole. Yet, as with Lawren Harris, he ensures that complexity is balanced by a sense of space. And like Caillebotte, he convinces you of a reality that is his magical vision come to life.

To find out more or to see his work, go to www.peterlawson.ca.

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