CVAC, Cowichan Valley Arts Council
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Artist Profiles

Daniel Deschamps
July 2010
Betty Locke
~ by Rebecca Hazell
September 2009

Kaye Smillie
~ by Bernice Ramsdin-Firth
August 2009

Beverly Koski
~ by Gloria Lorenzen
July 2009

Naomi McLean
~ by Liz M. Forbes
June 2009

Eugene Jobagy
~ by Karen Allen
May 2009

Alison MacKenzie & Wayne Brown
~ by Bruce Whittington
April 2009

Glenn Spicer
~ by Kate Sutherland
March 2009

Barry Strasbourg-Thompson
~ by Tom Masters
February 2009

Jan Donaldson
~ by Gloria Lorenzen
December 2008

Misha Koslovsky
~ by Roxanne Strasbourg
November 2008

Peter Lawson
~ by Rebecca Hazell
October 2008

Harriet Hiemstra
~ by Kate Sutherland
September 2008

Sylvia Verity
~ by Sylvia Holt
August 2008

Cathi Jefferson
~ by Gloria Lorenzen
July 2008

Corry & Shakey Reay Suter
~ by Liz M. Forbes
June 2008

Rene Deerheart
~ by Gloria Lorenzen
May 2008

Neil Newton
~ by Bruce Whittington
April 2008

Doreen Tawse-Smith
~ by Rebecca Hazell
March 2008

Doug Dunbar
~ by Tom Masters
February 2008

Thomas Anderson
~ by Ron Greenaway
January 2008

Margitta Ben Oliel
~ by Liz Forbes
December 2007

Irma Livingstone
~ by Elizabeth Symon
November 2007

Linda Richter
~ by Longevity John Falkner
October 2007

Melanie Circle
~ by Yvette Stack
September 2007

Colleen Freeman
~ by Kate Sutherland
June 2007

Eva Trinczek
~ by Bruce Whittington
May 2007

Clare Singleton
~ by Lesley Hammocks
April 2007

Jane Wolters
~ by Tom Masters
March 2007

Bev Mountain
~ by Theo Gustafson
February 2007

Arne Day Bunyan
~ by Bernice Ramsdin-Firth
December 2006

Ellie Hallman
~ by Theo Gustafson
November 2006

Desmond Pratt
~ by Dorothy Jeanne Engst
October 2006

Sonia and Angus Galbraith
~ by Bev Mountain
September 2006

Rosemary Darville
~ by Liz M. Forbes
August 2006

Susan Kelly
~ by Lesley Hammocks
July 2006

Josie Bennett Cowan
~ by Dorothy Jeanne Engst
June 2006

Jean Christie Williams
~ by Lesley Hammocks
May 2006

 

Melanie Circle

 Profile of an Artist
Profile of an ArtistMelanie Circle

The Mandala’s influence on an Artistic Journey

~ By Yvette Stack of The Chemainus Writers

The way to Melanie Circle's home is a bit like the journey from the circumference of a Mandala winding into the quiet centre. First, the busy island highway, then a smaller curving road turning onto a still narrower trail and finally a tree shaded curving lane, ending at the light-filled, peaceful converted barn housing her home, studio and teaching space.

The Mandala is central to Melanie’s artistic and teaching activities. She has used Mandala making with troubled teens, children and adults, and finds it an incredible vehicle for all ages.

She began painting in her thirties, after watching someone sketching faces and thinking "how nice it would be to be able to do that… I signed up for classes. From the first painting, I knew I was home!"

Melanie is passionate about sharing her gifts. To her, teaching is as important as making art. "To see people experiencing peace…when people connect with that experience it is so exciting." She echoes Kurt Vonnegut's belief that making art is part of being human: "It's as natural as breathing or making love." She firmly believes that everyone can make art and that the process is as important as the product. "The feast is in making the art: in a way, the final product is the leftovers!"

Walking the ancient Camino de Santiago across Northern Spain inspired a series of twenty-eight beautiful, evocative paintings illuminate the walls of her studio along with the Mandala.

Noting that Melanie is deeply involved in social justice issues (she has served as an election observer in other countries, and will soon travel to Nepal to help coordinate an exciting education project) our discussion turned to the role of the artist in peace-making.

"I see art making as a way of experiencing peace. To make art allows one to appreciate others: to see what's happening. To look inside yourself... I have huge appreciation of the healing power of art: painting can be a path of sanity; a way NOT to run from reality."

"It's all about loving. Day to day, there is so much to enjoy and be grateful for. If I am centered, then I can reach out to what's happening on the circumference. The ideal is not to lose touch with the centre."

Peace and gratitude: I felt their presence in that space, and came away with both in my heart.

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