CVAC, Cowichan Valley Arts Council
Connecting people to the arts in the Cowichan Valley,

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Artist Profiles

Daniel Deschamps
July 2010
Betty Locke
~ by Rebecca Hazell
September 2009

Kaye Smillie
~ by Bernice Ramsdin-Firth
August 2009

Beverly Koski
~ by Gloria Lorenzen
July 2009

Naomi McLean
~ by Liz M. Forbes
June 2009

Eugene Jobagy
~ by Karen Allen
May 2009

Alison MacKenzie & Wayne Brown
~ by Bruce Whittington
April 2009

Glenn Spicer
~ by Kate Sutherland
March 2009

Barry Strasbourg-Thompson
~ by Tom Masters
February 2009

Jan Donaldson
~ by Gloria Lorenzen
December 2008

Misha Koslovsky
~ by Roxanne Strasbourg
November 2008

Peter Lawson
~ by Rebecca Hazell
October 2008

Harriet Hiemstra
~ by Kate Sutherland
September 2008

Sylvia Verity
~ by Sylvia Holt
August 2008

Cathi Jefferson
~ by Gloria Lorenzen
July 2008

Corry & Shakey Reay Suter
~ by Liz M. Forbes
June 2008

Rene Deerheart
~ by Gloria Lorenzen
May 2008

Neil Newton
~ by Bruce Whittington
April 2008

Doreen Tawse-Smith
~ by Rebecca Hazell
March 2008

Doug Dunbar
~ by Tom Masters
February 2008

Thomas Anderson
~ by Ron Greenaway
January 2008

Margitta Ben Oliel
~ by Liz Forbes
December 2007

Irma Livingstone
~ by Elizabeth Symon
November 2007

Linda Richter
~ by Longevity John Falkner
October 2007

Melanie Circle
~ by Yvette Stack
September 2007

Colleen Freeman
~ by Kate Sutherland
June 2007

Eva Trinczek
~ by Bruce Whittington
May 2007

Clare Singleton
~ by Lesley Hammocks
April 2007

Jane Wolters
~ by Tom Masters
March 2007

Bev Mountain
~ by Theo Gustafson
February 2007

Arne Day Bunyan
~ by Bernice Ramsdin-Firth
December 2006

Ellie Hallman
~ by Theo Gustafson
November 2006

Desmond Pratt
~ by Dorothy Jeanne Engst
October 2006

Sonia and Angus Galbraith
~ by Bev Mountain
September 2006

Rosemary Darville
~ by Liz M. Forbes
August 2006

Susan Kelly
~ by Lesley Hammocks
July 2006

Josie Bennett Cowan
~ by Dorothy Jeanne Engst
June 2006

Jean Christie Williams
~ by Lesley Hammocks
May 2006

 

Rosemary Darville

 Profile of an Artist
Profile of an Artist

~ by Liz M. Forbes, Chemainus Writers

Rosemary Darville

The smell of coffee and strains of light music welcome me as I enter Rosemary Darville's home in Maple Bay. She pours thick black coffee and hot milk into white crockery cups which we carry to the sun porch overlooking the bay. This is where Rosemary paints.

"I'm not an artist", she says as I glance around the rooms filled with her gentle watercolours, "If something delights me or touches me, I have to capture the essence of it."

Capturing the essence, is what Rosemary does well, whether it is the cottage in Calabria, Italy where she and husband Harry spent a blissful seven months or the tortured war destroyed olive trees in Israel. Even though it is five years since they returned from Israel, war is never far from her mind. "It's sad to know I'll never be back in that country again - I am so upset by what is going on. How can you go to a country and not absorb what has gone on?"

"How has living in Israel changed the way you paint?" I ask.

"It has made it more important to me to paint. There are things I can't express and painting is a way for me to express them. Every time you paint, you find out something more about yourself. It is the most powerful part of painting. I am completely free and happy when I'm doing it."

Rosemary Darville

Rosemary, who has painted since she was a child, is a former Montessori teacher - she remains deeply passionate about the effects of war and starvation on the fate of children.

Now Rosemary, at 82 years, "..needs time alone, a lot of peace and quiet. I am trying to progress with painting, I have to feel I am developing. It drives me on."

She is heartened by her son's words regarding the Maple Bay Painters of which Rosemary is a member. "All you people sitting and painting in these beautiful places - helps balance things in the world."

It is easy to believe Rosemary is still making a difference.

Even though it has been five years since they returned from Israel, war is never far from her mind. As she brought out her paintings done in Israel she talked of the horrors of seeing whole villages destroyed, olive orchards ripped up for parking lots, young men whose eyes had been shot out by snipers. She and Harry often joined the group of black garbed women who kept Friday vigil under the indifferent eyes of passing traffic. Shortly after Rosemary and Harry settled in Maple Bay, they took a trip to Saltspring Island where one of the first sights they saw was a group of black clad women keeping vigil. They joined them, knowing they had come to the right place. Now when Rosemary watches the late afternoon sun lighting the slopes of Mt. Maxwell she recalls the same afternoon sun burnishing the old buildings in Jerusalem.

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