CVAC, Cowichan Valley Arts Council
Connecting people to the arts and culture of the Cowichan Valley,

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Artist Profiles

Judy Brayden
April 2012
Sandy Knowles
March 2012
Morgan Saddington
February 2012
Soleil Mannion
February 2012
Elaine Paull
December 2011
Charles Van Gorkom
December 2011
Linda Yurgensen
August 2011
Cara McCandless
April 2011
Adam Ball
March 2011
Ed Chan
February 2011
Daniel Gintowt
~ by Judy Brayden
December 2010
Neil Fatin
October 2010
Daniel Deschamps
July 2010
Betty Locke
~ by Rebecca Hazell
September 2009

Kaye Smillie
~ by Bernice Ramsdin-Firth
August 2009

Beverly Koski
~ by Gloria Lorenzen
July 2009

Naomi McLean
~ by Liz M. Forbes
June 2009

Eugene Jobagy
~ by Karen Allen
May 2009

Alison MacKenzie & Wayne Brown
~ by Bruce Whittington
April 2009

Glenn Spicer
~ by Kate Sutherland
March 2009

Barry Strasbourg-Thompson
~ by Tom Masters
February 2009

Jan Donaldson
~ by Gloria Lorenzen
December 2008

Misha Koslovsky
~ by Roxanne Strasbourg
November 2008

Peter Lawson
~ by Rebecca Hazell
October 2008

Harriet Hiemstra
~ by Kate Sutherland
September 2008

Sylvia Verity
~ by Sylvia Holt
August 2008

Cathi Jefferson
~ by Gloria Lorenzen
July 2008

Corry & Shakey Reay Suter
~ by Liz M. Forbes
June 2008

Rene Deerheart
~ by Gloria Lorenzen
May 2008

Neil Newton
~ by Bruce Whittington
April 2008

Doreen Tawse-Smith
~ by Rebecca Hazell
March 2008

Doug Dunbar
~ by Tom Masters
February 2008

Thomas Anderson
~ by Ron Greenaway
January 2008

Margitta Ben Oliel
~ by Liz Forbes
December 2007

Irma Livingstone
~ by Elizabeth Symon
November 2007

Linda Richter
~ by Longevity John Falkner
October 2007

Melanie Circle
~ by Yvette Stack
September 2007

Colleen Freeman
~ by Kate Sutherland
June 2007

Eva Trinczek
~ by Bruce Whittington
May 2007

Clare Singleton
~ by Lesley Hammocks
April 2007

Jane Wolters
~ by Tom Masters
March 2007

Bev Mountain
~ by Theo Gustafson
February 2007

Arne Day Bunyan
~ by Bernice Ramsdin-Firth
December 2006

Ellie Hallman
~ by Theo Gustafson
November 2006

Desmond Pratt
~ by Dorothy Jeanne Engst
October 2006

Sonia and Angus Galbraith
~ by Bev Mountain
September 2006

Rosemary Darville
~ by Liz M. Forbes
August 2006

Susan Kelly
~ by Lesley Hammocks
July 2006

Josie Bennett Cowan
~ by Dorothy Jeanne Engst
June 2006

Jean Christie Williams
~ by Lesley Hammocks
May 2006

Neil Fatin

 Profile of an Artist
Profile of an Artist

What I enjoy most about photography is the endless supply of subject matter and the ability to capture special moments that offer themselves to anyone living on this planet.

artwork by Neil Fatin
"Infeliz Nina" by Neil Fatin

We live in a truly remarkable world and if you know where to look, or stumble on a unique situation, you can use the camera to share those moments with others.

I continue to be inspired by the work of other photographers and what their eyes see. In addition, I always remain awed by what artists also interpret from the larger canvas of life and nature. Overlaying all of this are the subtleties of lighting throughout the course of the day, the weather and the seasons and the huge impact they have on the subject matter on offer.

The composition of the picture comes from the subject matter itself, there are aspects to a scene that just look right to the observer and over time one attunes themselves to this. There almost always seems to be a better way to present what one sees and sometimes this comes from a keen interest in what other photographers do.

So what do I interpret the term photographic art to mean? Having obtained the image, is there a better way to present it and overlay one's interpretation of the image that hit the negative or the sensor in the camera. Just as an artist will provide his or her interpretation of the image they have seen in reality or in their mind, the photographer can do this with processing as much as the artist uses mixes of colours and interpretive brush strokes to provide a final image.

At the end of it all, what I am trying to achieve is an image that I find interesting, will tell a story and will be captivating enough for others to take notice and enjoy. That is, to move from being self indulgent in ones work and hope the image is received by others with enjoyment or any other reaction other than a reaction of indifference. If the latter is the response, then I consider it a failure. Therefore, in essence the term photographic art to me means, using photography to obtain a reaction from the viewer. The snap shot is just that; it is a shot of something in front of the camera without the story telling, i.e.. a photocopy of what was in front of the lens.

One of my regrets is that I did not have the time during my working life to engage in photography in a more serious way.

There are countless possibilities with modern technology and the learning curve can be quite daunting, but as daunting as it is, it is also challenging and rewarding. It is one of the meanings of life...

~ Neil Fatin


To learn more about Neil Fatin visit www.neilfatinphotoart.com